A family bench,
four generations deep.
Vir Kanya Jewels began as a single workbench in the old quarter of Jaipur, with one conviction: that a piece of jewellery should be finished as carefully on the inside as it looks on the outside.
We still work that way. Wax is carved by hand, stones are set under the loupe, and every surface is burnished until it holds light rather than merely reflecting it. Our karigars average eighteen years at the bench — some inherited their tools from the artisans who trained them.
Nothing leaves the atelier without a BIS hallmark, a stone certificate and the signature of the craftsman who made it.
Our craft,
in motion.
Kept, worn, passed on.
They reset my grandmother’s polki without losing a single thing that made it hers. I cried at the counter.
I have bought from the big houses. Nothing I own is finished as well on the inside as the Vasant kada.
Six months of drawings, three fittings, and not once did anyone rush me. That is what you are actually paying for.
Twenty-two years and four pieces later, they still remember which finger my mother wears hers on.